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Kuznetsov Michael

Read the biography of the artist


Rondo Veneciano
sold
size: 29.53 x 39.37

Venice 2
sold
size: 29.53 x 19.69

Ballet in Venice
sold
size: 29.53 x 39.37

Coast 18
sold
size: 29.53 x 39.37

Coast 15
sold
size: 29.53 x 39.37

Still life with the sea table cloth
sold
size: 39.37 x 29.53

Venice
sold
size: 24 x 36

Sea cat
sold
size: 39.37 x 29.53

Viewer's counter: medium/large 4246/2816

Michael Kuznetsov was born in 1964. In 1985 he graduated from an evening art school and, in 1988, the philological faculty of Omsk State University, with a theoretical research paper "The Simultaneous Principle of the Spatial Construction of the Text". The synthesis of philological and art education has effected the formation of the style of the artist, which he considers as "neoromantism". In his painting, Michael Kuznetsov attempts to overlap literary and visual metaphors, use picturesque and narrative citations and incorporate elements and layers of space surreally. There are both fancy characters and elements in the space of his paintings. Michael Kuznetsov's paintings explore four distinct areas in depth and intensity:sea landscapes, still lifes, portraits and what the artist calls "magic landscapes." The four paths run parallel interweaving on a regular basis. Among the authors and artists which have influenced Michael Kuznetsov's painting are Hermann Hesse, Umberto Eco, John Fowles, Lawrence Alma-Tadema, Salvador Dali, Leonardo, the Church and many others. Sometimes Michael is representing imagery from the past and transforming it through his hand and mind and eye. His landscapes are invented and never specific places. They are infused with the ambience of the Romantic painters he loves from the 19th century and before. Like the 19th century painters whose reverence for landscape was made manifest in paint, Michael paints poetic and romantic landscapes with layer upon layer of luscious oil paint. At times the "master" image is a fragment of an underwater landscape. By creating two sides of equal intensity, the artist has eliminated the pre-modern concept of central focus and created a duet of focal points. Each side can or could stand on its own merits, but together the diptychs create a wonderful fantasy underwater world. Michael paints the two sides of the diptychs in a palette that is harmonious and sustains the moods in the paints from top to bottom. It is the joining of colour and mood that makes it all work.Michael's career spans continents and his artworks has touched an impressive number of private as well as corporate collectors worldwide. The personal exhibitions: Gallery “Scit”, 1996; Omsk Drama Theatre, 1994 and 1997; Gallery “Nevsky 20”, Saknt-Peterburg, 1999 and 2001; Gallery “Saint-Petersburg” Oslo, 2001. Michael Kuznetsov has also participated in many collective exhibitions: “Krest” Omsk, 1989; Gallery “2L”, Omsk 1996; Gallery “The World of Painting” Omsk, 1996 and 1997; “Erotica 99” Manege Sankt-Peterburg, 1999; The International Artsalon in Barcelona Euroart’99; The Internatonal Biennale-Florence ‘99; The International Artexpo California 2000, 3-5 November 2000, at the Concourse Exhibition Center, San Francisco, An exhibition in Gallery Nelly Borg & Ove Anderson, Oslo 2000, The 2nd Annual Palm Springs International Art Fair 2001 Savonlinna Art festival,Finland 2001, “Kosken Galeria” Imatra , Finland ,2001 "Art Big Show North Carolina ,2001. Gallery "Kartina" Alma-Ata,Kazahstan,2002, Gallery "Kartina" Alma-Ata,Kazahstan,2003.

 
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